Tuesday, March 30, 2010
Collage/Paper/Sculpture/Experiment!
copyright Red Nose Studio
Digital illustration isn’t limited to just drawing or painting in photoshop or illustrator— in this assignment I want you to explore the other ways we can create or use "digital" art with the additions of photography and/or collage. You will be making an illustration of a known mythological or fantasy creature with a foreground and background. Your creature/being can be from any culture --a norse god, manticore, japanese ghost, fairies, whatever, but it needs to be in an environment of some sort and it needs to be a KNOWN creature, and not just something you make up. Also, if you use photos, make sure they are YOUR photos, or definitely copyright free (i.e. vintage magazines or from a site that gives out specifically copyright-free images). I want you to take the pictures, not use what you find off google images.
Sketch stage will be due next week (since the process of gathering images or sculpting/etc. can be pretty intensive, you just need to bring in one "sketch"), and then your final is due the week after that. You can sculpt this creature and take photos of it, make a paper cut collage traditionally or digitally, add drawings to a photo, go out and take photos and then collage them together, then use the photo collage as reference for your final painting (digital or traditional), OR refine the collage so it looks great on its own, whatever. I leave it up to you, this is a very open assignment and I want you to branch out! You don’t necessarily need to bring in a pencil “sketch” next week, but you could bring in a rough collage, or a sculpture or paper cuts that you’ve made, whatever is the first step of the process you’d like to use. If you are working on putting together a digital collage or drawing over things digitally, you can show your process on the computer, you don't have to print it out. But you definitely need to show progress. This is a process-heavy assignment, so the more you do now the better! After critiques we will be using class time next week to work, so come prepared with your materials! If you are working traditionally bring tools, if you are working digitally, have all your files and photos, etc.
If you don’t have a digital camera, AV services said they have several that students can borrow. But, don’t try taking out a camera the night before or something, because other students may have checked them all out.
So here's some examples of illustrators using the Digital medium in different ways:
Vector art on top of photos-- Alberto Seveso
Digital illustration/color integrated with vintage photos-- David Plunkert
Paper cut art, digitally photographed/tweaked-- Jayme McGowan
Digitally collaged paper cut art (scanning papers, and then digitally cutting & collaging in photoshop)-- Sara Barnes
Traditionally sculpting, then photographing/tweaking for a "3d" illustration-- Red Nose Studio
Digitally drawing on top of photos-- Johan Thornqvist
Collaging photos/illustration digitally-- Maren Esdar
ALSO-- remember, you DON'T have to do a collage/sculpture/papercut for your final piece. You can always do one as a "sketch" and use it as reference for your final.
If you are using a collage as reference, you can probably get away with using magazine photos and other possibly-copyright photos, as long as they don't show up that way in the final. (like if you use a magazine girl's face as reference for the face you'd like to draw/paint)
BLOG assignment:
To get your feet wet, I want you to do a fun photo and/or paper and/or 3d collage of your dream boyfriend or girlfriend! It doesn't have to have a background or be serious. Experiment with some different techniques or play around, it doesn't have to be extensive. You can use magazines photos for this.
Make sense? HAVE FUN!!
Self portraits
selves
I chose to do my self portraits digitally because that's the hardest for me! I thought I looked a bit like Harry Potter in the first one so...I drew in his scar. The second is supposed to be looking slightly up and tilted to the side. The last is a surprise blind contour! It's crazy how much harder it is to approximate distance on a tablet as opposed to paper...
Monday, March 29, 2010
Self portraits by Alice
Portraits
Sunday, March 28, 2010
Saturday, March 27, 2010
ARTIST PRESENTATIONS: LINKS
Hi! I hope you all see this.
I was wondering if the people who HAVE done their artist presentations wouldn't mind putting the links to their artists in the comments of this post?
I thought would be a good resource for the rest of the class and can help the people who will be doing presentations soon (like me!) to know which artists have been covered.
And anyone is more than welcome to add new artists to the list!
Thanks guys,
Alice.
I was wondering if the people who HAVE done their artist presentations wouldn't mind putting the links to their artists in the comments of this post?
I thought would be a good resource for the rest of the class and can help the people who will be doing presentations soon (like me!) to know which artists have been covered.
And anyone is more than welcome to add new artists to the list!
Thanks guys,
Alice.
Wednesday, March 24, 2010
Barnaby Ward
nontradselfport!
Throw out your myspace photos & grab your art supplies, it's self-portrait time!!
Though beautiful, this does not qualify as a "Non-tradional self portrait"
Blog assignment:
3 traditional self portraits (i.e. Sitting in front of a mirror and drawing/painting observationally) from 3 different angles. Use strong lighting, it will be easier and more interesting! These don't have to take a super long time either, maybe 10 minutes each or a bit longer if you like. Notice how the light and shadow planes on your face can change drastically depending on which angle you're at.
Class assignment:
NONtraditional self portraits! This self portrait shouldn't look like your blog assignment self portraits! This self portrait is telling us more about you, and not necessarily about the way you look. Be creative with this and have fun--you can use whatever media you like!
I got most of the self portraits I showed in class from Issue 8 of IdeaFixa magazine-- you can check out their archives at ideafixa.com. (go to "outras edicoes" and click the white cover that says "self portrait")
Though beautiful, this does not qualify as a "Non-tradional self portrait"
Blog assignment:
3 traditional self portraits (i.e. Sitting in front of a mirror and drawing/painting observationally) from 3 different angles. Use strong lighting, it will be easier and more interesting! These don't have to take a super long time either, maybe 10 minutes each or a bit longer if you like. Notice how the light and shadow planes on your face can change drastically depending on which angle you're at.
Class assignment:
NONtraditional self portraits! This self portrait shouldn't look like your blog assignment self portraits! This self portrait is telling us more about you, and not necessarily about the way you look. Be creative with this and have fun--you can use whatever media you like!
I got most of the self portraits I showed in class from Issue 8 of IdeaFixa magazine-- you can check out their archives at ideafixa.com. (go to "outras edicoes" and click the white cover that says "self portrait")
Wednesday, March 10, 2010
Tuesday, March 9, 2010
Review: Separating Line work/Textures for coloring
So, some of you were still confused about how to do this, so I thought I'd post this to help: Separating line work (like we did in the first assignment, also applies to making textures you can color))
Make sure your drawing is in Grayscale. Image > Mode > Grayscale
You can make the black and white more crisp by going into Image > Adjustments > Levels.
Once you have that worked out, Go into Channels (if it's not on your screen, go up to Window > Channels) and click the dotted circle on the bottom. When you hover your mouse over it, it says "Load Channel as Selection"
Then go up to Select > Inverse.
Go back to your Layers window, and make a new layer. (make sure you're making a new layer and not a new channel)
Make sure you are in your new layer, have Black as your color, and then Edit > Fill
You can then Select > Deselect.
You can now change your image to color! Image > Mode > RGB
To lock the layer so you can color the lines, click the CHECKERED SQUARE in the "Lock" row near the top in your Layers window. A lock will show up on the right of the layer. (NOTE: there is an actual "lock" icon in the Lock row in the Layers window, but that does not do the same thing!)
Make sure your drawing is in Grayscale. Image > Mode > Grayscale
You can make the black and white more crisp by going into Image > Adjustments > Levels.
Once you have that worked out, Go into Channels (if it's not on your screen, go up to Window > Channels) and click the dotted circle on the bottom. When you hover your mouse over it, it says "Load Channel as Selection"
Then go up to Select > Inverse.
Go back to your Layers window, and make a new layer. (make sure you're making a new layer and not a new channel)
Make sure you are in your new layer, have Black as your color, and then Edit > Fill
You can then Select > Deselect.
You can now change your image to color! Image > Mode > RGB
To lock the layer so you can color the lines, click the CHECKERED SQUARE in the "Lock" row near the top in your Layers window. A lock will show up on the right of the layer. (NOTE: there is an actual "lock" icon in the Lock row in the Layers window, but that does not do the same thing!)
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